Aesop. The Hen and the Cat, number 2 of 4 copies, miniature calligraphic manuscript in pen & ink with illustrations by Donna Thomas, original morocco-backed marbled boards, uncut, 55 x 45mm., 1988; Frog Fables, number 13 of 50 copies, illustrations by Donna Thomas, original green reversed calf, slip-case, 1990, together in modern cloth drop-back box, Santa Cruz, Good Book Press; A Selection of Aesop's Fables, translated by Boris Artzybasheff, number 55 of 150 copies signed by the artist, printed in green and black, colour wood-engravings by Sarah Chamberlain, original patterned-paper boards, morocco label to spine, uncut, Portland, Or., Chamberlain Press, 1984; Fables, Retold, Illustrated with Woodcuts, and Printed by Elfriede Abbe, number 109 of 500 copies signed by the artist/printer, woodcut illustrations, modern morocco-backed boards titled in pen & ink, uncut, Ithaca, NY, 1950; Fables, translated by Samuel Croxall, limited edition signed by the designer Bruce Rogers, illustrations after early Florentine woodcuts, all hand-coloured by Eric Sweet, modern half crimson morocco over pictorial boards painted by Sweet featuring a cockerel on upper cover and fox on lower, printed by John Johnson at the Oxford University Press for the Limited Editions Club, 1933; 12 Fables, limited edition signed by the artist, printer and narrator, printed in red & black, linocut illustrations by Antonio Frasconi, ink inscription, original cloth-backed patterned-paper boards, uncut, glacine wrapper, board slip-case a little stained, with a copy of the trade edition together in modern cloth folder and slip-case, New York, 1954, the first three all preserved in modern cloth drop-back box; and 6 others, Aesop, from American presses including a standard copy of the fifth, v.s. (12)
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