Old and modern master prints.- Hamerton (Philip Gilbert) Etching & Etchers, third edition, extra-illustrated with over 40 prints, title printed in red and black with engraved vignette after Rembrandt, 48 etched or photogravure plates as published, and with over 40 additional original etchings, engravings and heliogravures, original roan-backed boards, 4to, Macmillan, 1880

⁂ Additional prints of note include: Rembrandt van Rijn (1606-1669), Jakob Thomasz Haringh (The Young Haring), a later impression of the reduced plate [1655]; a lithographic facsimile after Albrecht Dürer's The Nativity, from Life of the Virgin; Adriaen van Ostade's, The Painter in His Studio, [1667, but likely a later impression]; Nicholas Berchem's Animalia, the set of six, with two additional etchings by Berchem; two Italian landscape etchings by Jan Both; Charles Meryon's Nouvelle-Zélande, Greniers Indigènes et Habitations à Akaroa (Presqu'île de Banks, 1845), 1860; David Wilkie's The Lost Receipt, and Reading the Will; James Abbott McNeill Whistler's Landscape with Horses, and Billingsate; and Samuel Palmer's Sunset, and The Sepulchre.