Lot 84
Schick (Heidi) Fourteen original designs relating to Post-War Modernist pamphlets, [1940s]; and large collection of other drawings, including early street scenes from Vienna in the 1930s [1930s and later] (Sm. qty.)
Hammer Price: £1,300
Description
Schick (Heidi) Fourteen original designs relating to Post-War Modernist pamphlets, including 8 original designs for the J.M. Dent & Sons 'Design for Britain Series' with a published copy of John Mansbridge's 'Here Comes Tomorrow', and 7 designs for 'Farm Cottages and Post-War Farming' with a published copy of the pamphlet, pen and ink with watercolour over pencil, some heightened with white, on wove papers, various sizes, between 70 x 145 mm (2 3/4 x 5 3/4 in) and 140 x 275 mm (5 1/2 x 10 3/4 in), some handling creases, all unframed, [1940s]; together with a large collection of drawings by Schick, including four very fine drawings from her time in Vienna before emigrating, and other miscellaneous drawings and watercolours, various sizes, all unframed, [1930s and later] (Sm. qty.)
⁂ Hedi Schick, a Jewish woman, was forced to escape Nazi prosecution in Austria during the late 1930s, following which she came to London where she began working in theatre. Much in the present lots are from the early years of her time in Britain, however many of the works still show the influences of Otto Dix and his contemporaries, which came from her time studying at the Vienna Kunstgewerbeschule (School of Applied Arts) in the early 1930s. Schick became a British citizen in 1947.
Description
Schick (Heidi) Fourteen original designs relating to Post-War Modernist pamphlets, including 8 original designs for the J.M. Dent & Sons 'Design for Britain Series' with a published copy of John Mansbridge's 'Here Comes Tomorrow', and 7 designs for 'Farm Cottages and Post-War Farming' with a published copy of the pamphlet, pen and ink with watercolour over pencil, some heightened with white, on wove papers, various sizes, between 70 x 145 mm (2 3/4 x 5 3/4 in) and 140 x 275 mm (5 1/2 x 10 3/4 in), some handling creases, all unframed, [1940s]; together with a large collection of drawings by Schick, including four very fine drawings from her time in Vienna before emigrating, and other miscellaneous drawings and watercolours, various sizes, all unframed, [1930s and later] (Sm. qty.)
⁂ Hedi Schick, a Jewish woman, was forced to escape Nazi prosecution in Austria during the late 1930s, following which she came to London where she began working in theatre. Much in the present lots are from the early years of her time in Britain, however many of the works still show the influences of Otto Dix and his contemporaries, which came from her time studying at the Vienna Kunstgewerbeschule (School of Applied Arts) in the early 1930s. Schick became a British citizen in 1947.