Description

Gray (Thomas) Elegy written in a Country Church-yard, one of 750 copies, wood-engravings by Gwenda Morgan, original cloth-backed marbled boards, 1946 § Bates (H.E.) The House with the Apricot, one of 300 copies signed by the author, illustrated by Agnes Miller Parker, original morocco-backed patterned cloth, 1933 § Davies (Rhys) Daisy Matthews, one of 325 copies signed by the author, illustrated by Agnes Miller Parker, original morocco-backed patterned cloth, 1932 § Leighton (Clare) Woodcuts, one of 450 copies signed by the artist, lightly browned, original cloth, spine ends worn, 1930 § Margaret Pilkington 1891-1974, number 15 of 25 specially-bound copies with an additional suite of 10 proofs of the engravings, from an edition limited to 200, original morocco-backed boards, additional suite loose as issued in original card folder, together in droop-back board slip-case, Buxton, Hermit Press, 1995, plates and/or illustrations, all but the last rubbed, the first three Golden Cockerel Press; and 9 others, illustrated with wood-engravings by women, v.s. (14)

Lot 125

Gray (Thomas) Elegy written in a Country Church-yard, one of 750 copies, wood-engravings by Gwenda Morgan, Golden Cockerel Press, 1946 & others with wood-engravings by women (14)  

Hammer Price: £550

Description

Gray (Thomas) Elegy written in a Country Church-yard, one of 750 copies, wood-engravings by Gwenda Morgan, original cloth-backed marbled boards, 1946 § Bates (H.E.) The House with the Apricot, one of 300 copies signed by the author, illustrated by Agnes Miller Parker, original morocco-backed patterned cloth, 1933 § Davies (Rhys) Daisy Matthews, one of 325 copies signed by the author, illustrated by Agnes Miller Parker, original morocco-backed patterned cloth, 1932 § Leighton (Clare) Woodcuts, one of 450 copies signed by the artist, lightly browned, original cloth, spine ends worn, 1930 § Margaret Pilkington 1891-1974, number 15 of 25 specially-bound copies with an additional suite of 10 proofs of the engravings, from an edition limited to 200, original morocco-backed boards, additional suite loose as issued in original card folder, together in droop-back board slip-case, Buxton, Hermit Press, 1995, plates and/or illustrations, all but the last rubbed, the first three Golden Cockerel Press; and 9 others, illustrated with wood-engravings by women, v.s. (14)

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