Description

Rembrandt van Rijn (1606-1669)
The Raising of Lazarus: Small Plate
Etching with touches of drypoint, 1642, a well inked but later impression of New Hollstein's second state (of two), evenly printed with depth and Lazarus's forehead shaded with small parallel diagonal lines in drypoint, on light-blue coloured laid paper with partial watermark, possibly part of a small armorial device, good margins, platemark 150 x 113 mm. (5 7/8 x 4 1/2 in), sheet 165 x 125 mm. (6 1/2 x 4 7/8 in), unframed.

Literature:
Hind 198; New Hollstein 206 ii/ii

⁂ A rare and unusual example of a Basan-era impression printed on light-blue coloured laid paper.

Description

Rembrandt van Rijn (1606-1669)
The Raising of Lazarus: Small Plate
Etching with touches of drypoint, 1642, a well inked but later impression of New Hollstein's second state (of two), evenly printed with depth and Lazarus's forehead shaded with small parallel diagonal lines in drypoint, on light-blue coloured laid paper with partial watermark, possibly part of a small armorial device, good margins, platemark 150 x 113 mm. (5 7/8 x 4 1/2 in), sheet 165 x 125 mm. (6 1/2 x 4 7/8 in), unframed.

Literature:
Hind 198; New Hollstein 206 ii/ii

⁂ A rare and unusual example of a Basan-era impression printed on light-blue coloured laid paper.

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