Description

Shelley (Percy Bysshe) Adonais, number 15 of 80 copies on Whatman paper, this copy for Herbert McLean Evans, plates by Maria Carmen Portela, some spotting, original printed wrappers, uncut, glacine wrapper (browned and frayed), Buenos Aires, 1965 § Molinari (R.E.) Las Sombras del Pájaro Tostado, number 31 of 50 copies signed by the author, mounted portrait, loose as issued in original wrappers, uncut, original cloth drop-back box, Buenos Aires, 1968 § Alheia (A.) Poemas, translated by G. de Fonseca, third edition, signed and inscribed by the translator to Carmello d'Agostino, woodcut plates, Rio de Janeiro, 1954 § Hansen (Karl-Heinz) Flor de S.Miguel, number 204 of 500 copies signed by the author, also inscribed by the author to Julio Pacello on half-title, woodcut illustrations, with 15 loose colour woodcut plates only (of 20), original pictorial boards, browned, joints worn, Salvador-Bahia, 1957, occasional spotting, all rubbed; and 5 others, similar, folio & 4to (9)

Lot 238

Shelley (Percy Bysshe) Adonais, number 15 of 80 copies on Whatman paper, plates by Maria Carmen Portela, Buenos Aires, 1965 & others, similar (9)  

Estimate: £300 - 400

Description

Shelley (Percy Bysshe) Adonais, number 15 of 80 copies on Whatman paper, this copy for Herbert McLean Evans, plates by Maria Carmen Portela, some spotting, original printed wrappers, uncut, glacine wrapper (browned and frayed), Buenos Aires, 1965 § Molinari (R.E.) Las Sombras del Pájaro Tostado, number 31 of 50 copies signed by the author, mounted portrait, loose as issued in original wrappers, uncut, original cloth drop-back box, Buenos Aires, 1968 § Alheia (A.) Poemas, translated by G. de Fonseca, third edition, signed and inscribed by the translator to Carmello d'Agostino, woodcut plates, Rio de Janeiro, 1954 § Hansen (Karl-Heinz) Flor de S.Miguel, number 204 of 500 copies signed by the author, also inscribed by the author to Julio Pacello on half-title, woodcut illustrations, with 15 loose colour woodcut plates only (of 20), original pictorial boards, browned, joints worn, Salvador-Bahia, 1957, occasional spotting, all rubbed; and 5 others, similar, folio & 4to (9)

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