Lot 245
Chinese Communist Propaganda.- Liao (Chengzhi, editor.) China, first edition, [Peking, Beijing], 1959.
Hammer Price: £1,200
Description
Chinese Communist Propaganda.- Liao (Chengzhi, editor.) China, first edition, tipped-in portrait frontispiece of Mao Zedong, photographic illustrations, some printed in colour and some tipped-in, Russian booklet describing the individual illustrations and gift certificate loosely inserted, occasional faint offsetting, original cloth with blind-stamped deal of People's Republic of China to upper cover, housed in original cardboard box, very light rubbing, large 4to, [Peking, Beijing], 1959.
⁂ One of the grandest Chinese Communist propaganda works commemorating the 10th anniversary of the People's Republic of China.
The work reflects the achievements of the first decade of the People's Republic of China, as well as illustrates fine arts and historical artifacts. It is a unique work, acting as a political piece and art book, at the same time. It was intended for foreign heads of state and national library collections, rather than the general public, creating a productive and happy impression of China under Mao's rule.
Description
Chinese Communist Propaganda.- Liao (Chengzhi, editor.) China, first edition, tipped-in portrait frontispiece of Mao Zedong, photographic illustrations, some printed in colour and some tipped-in, Russian booklet describing the individual illustrations and gift certificate loosely inserted, occasional faint offsetting, original cloth with blind-stamped deal of People's Republic of China to upper cover, housed in original cardboard box, very light rubbing, large 4to, [Peking, Beijing], 1959.
⁂ One of the grandest Chinese Communist propaganda works commemorating the 10th anniversary of the People's Republic of China.
The work reflects the achievements of the first decade of the People's Republic of China, as well as illustrates fine arts and historical artifacts. It is a unique work, acting as a political piece and art book, at the same time. It was intended for foreign heads of state and national library collections, rather than the general public, creating a productive and happy impression of China under Mao's rule.
