Lot 172
Charles Haslewood Shannon (1863-1937)
Portrait of Ronald Firbank (1886-1926), coloured chalks, [c. 1909]
Hammer Price: £3,500
Description
Charles Haslewood Shannon (1863-1937)
Portrait of Ronald Firbank (1886-1926)
Coloured chalks, on prepared paper, signed with initials ‘CS’ in the lower right corner, 255 x 195 mm (10 1/8 x 7 5/8 in), under glass, framed, [c. 1909]
Provenance:
Probably Ronald Firbank (1886-1926)
Illustrated:
Dust jacket of Ronald Firbank's, Concerning the Eccentricities of Cardinal Pirelli, published by Grant Richards, 1926
⁂ Paul van Capelleveen notes that 'no letters or accounts of the meeting between [Shannon] and [Firbank] have survived, and we must make do with second or third-hand testimony... [Probably the first time they met was when] Oscar Wilde's son, Vyvyan Holland, came of age in November 1907 and Robert Ross organised a dinner party for him. Among the twelve guests were Ronald Firbank, Charles Ricketts and Charles Shannon. It was probably the first time Shannon and Firbank had met; the former came from the artistic circles around Ross, the latter from Holland's Cambridge student life.'
Description
Charles Haslewood Shannon (1863-1937)
Portrait of Ronald Firbank (1886-1926)
Coloured chalks, on prepared paper, signed with initials ‘CS’ in the lower right corner, 255 x 195 mm (10 1/8 x 7 5/8 in), under glass, framed, [c. 1909]
Provenance:
Probably Ronald Firbank (1886-1926)
Illustrated:
Dust jacket of Ronald Firbank's, Concerning the Eccentricities of Cardinal Pirelli, published by Grant Richards, 1926
⁂ Paul van Capelleveen notes that 'no letters or accounts of the meeting between [Shannon] and [Firbank] have survived, and we must make do with second or third-hand testimony... [Probably the first time they met was when] Oscar Wilde's son, Vyvyan Holland, came of age in November 1907 and Robert Ross organised a dinner party for him. Among the twelve guests were Ronald Firbank, Charles Ricketts and Charles Shannon. It was probably the first time Shannon and Firbank had met; the former came from the artistic circles around Ross, the latter from Holland's Cambridge student life.'